Peter B. Lewis, Patron and Cultural Activist
1990 SPECIAL CITATION FOR DISTINGUISHED SERVICE TO THE ARTS
The annals of Cleveland philanthropy
are replete with the names of prominent local families, foundations and
institutions whose generosity has had an enormous impact on the lives
and well-being of the residents of northeastern Ohio. But until the
last quarter of the 20th century, Cleveland's long tradition of
charitable giving could never claim an individual benefactor with quite
the hands-on approach of Peter Lewis.
Chairman
of the insurance giant Progressive Corporation, a company founded in
Cleveland in 1937 by his father, Joseph, Lewis has been more than just
a supporter of causes or a giver of funds. Few other philanthropists,
locally or nationally, have been so engaged with the objects of their
benefactions, so willing to study problems and offer solutions, so
eager to embrace the new—and so demanding of concrete results.
It
takes a strong leader to turn a little-known Midwestern insurance
company selling just $6 million of policies every year into a $7
billion-plus giant of the industry. And Lewis's legendary determination
and drive—not to mention a sense of certitude bordering on obstinacy—are hallmarks of his philanthropic endeavors just as much as of his corporate career.
Regularly
ranked among the top 10 individual philanthropic donors in the country,
Lewis is a long-time supporter of the Democratic party and the American
Civil Liberties Union (to which, some years ago, he made the largest
individual contribution in the organization's history). But he has
focused much of his philanthropy on two of his passions: art and higher
education.
A devoted collector
of modern art, he has been a generous patron of both the Cleveland
Museum of Art and the Cleveland Institute of Art. More significantly,
in the late 1960s he recognized the potential value and took a leading
role in the founding of the New Gallery for Contemporary Art (now
MOCA), a groundbreaking organization that would introduce the work of
nationally known contemporary artists as well as local talents to
generations of Cleveland audiences.
Lewis's
hands-on approach to giving is even more apparent in his tenure as a
trustee of the Solomon R. Guggenheim Foundation, where he was the
primary force behind the development of a new mission statement and
improved governance structure for the Guggenheim Museum in New York, to
accommodate its expanding programs and increasingly international
profile. At Princeton University, his alma mater, he designated $35
million of a $55 million gift in 2000 to support and expand the nascent
Institute for Integrative Genomics, a pioneering program intended to
unravel the enigma of genetic function in living organisms.
For
Clevelanders, perhaps the most visible evidence of Peter Lewis's
characteristically personal approach to philanthropy can be seen on the
campus of Case Western Reserve University (CWRU). Lewis donated more
than half of the $62 million cost of the new home of the university's
Weatherhead School of Management (completed in 2002), an eye-popping
building of unlikely waves and angles designed by his friend Frank O.
Gehry, the internationally acclaimed architect. By championing the
choice of a world-class architect to create a world-class structure,
Lewis accomplished three objectives. For Clevelanders, he helped to
create a landmark building in the heart of the city. For Weatherhead
students, he added an enriching inspirational dimension to the
educational process. For CWRU, he set a standard of excellence to which
he fully expects the rest of the university to aspire—not only
in its physical environment, but in the stature of its academic
accomplishment. In effect, Lewis turned his gift into a challenge to
excel—and what more worthy end could a donor hope to achieve?
—Mark Gottlieb
 
 
 
 
 
   
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