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Grace Goulder, Author, 1893–1984
1965 CLEVELAND ARTS PRIZE FOR LITERATURE
A respect for the past, and the people who came before us, was something about which Grace Goulder Izant felt strongly. So
strongly that for 25 years she authored a weekly article about the
extraordinary folks who shaped present-day Ohio. But who knew, when she
was awarded the Cleveland Arts Prize for Literature in 1965 at the age
of 72, that some of her best and most important work still lay ahead of
her—including a book-length treatment of John D. Rockefeller that would
throw new light on his Cleveland years.
Born
in Cleveland in 1893 into a family whose forebears had been among the
early settlers of the area, Grace Goulder seems to have loved history,
especially Ohio history, almost from the beginning. Her vivid portraits
of the characters whose choices and risk-taking would have such an
impact on posterity—as well as the places and settings where these
dramas unfolded—are likely traceable to her first experiences of such
stories as a child curled wide-eyed at the feet of grownups recreating
cherished family stories.
But a brief stint as society editor of the Cleveland Plain Dealer following her graduation from Vassar College in 1914 was as close as
she would get to writing professionally until she herself had reached
middle age. At 26 she married Robert Izant, a future vice
president of Central National Bank, and in 1924 the couple moved to
nearby Hudson, where she would spend the next 20 years raising three
children.
It was not until 1944
(the year before her beloved second son Jonathan was killed in action
in the march toward Berlin less than three weeks before Germany
surrendered) that she published her first piece in the Plain Dealer’s Sunday Magazine. For the next 25 years, readers would relish and talk about her
illuminating articles about Ohio’s past. “Ohio Scenes and
Citizens,” as the series was called, was much more than Sunday paper
filler. By the time she was awarded the Arts Prize, Goulder had
already been recognized by the Ohio State Archeological and Historical
Society (1949), the Ohio Sesquicentennial Committee (1953) and the
American Association for State and Local History (1962)—the first
Ohioan ever to be so honored.
It
was the publication in 1964 of her second book that provided the
occasion for the awarding of the Cleveland Arts Prize. Among the 18
famous or significant Ohioans profiled in Ohio Scenes and Citizens (which took its title from her popular column) were the breakthrough
African-American lyric poet Paul Lawrence Dunbar; sharpshooter Annie
Oakley (née Phoebe Ann Moses), compelled to return each spring, when
the apple blossoms were in bloom, to her native Darke County, where she
is buried; Ulysses S. (born Hiram Ulysses) Grant; and the two wives of
abolitionist John Brown, who between them bore him 20
children. (He had married the first, Dianthe Lusk, right here in
Hudson.)
Goulder’s first book, This Is Ohio (1953; expanded edition, 1966), told the stories of all 88 Ohio
counties. Along with the 12 that made up the “Western Reserve” granted
to Connecticut by King George were those comprising the areas
originally known as “Hanging Rock” (Jackson, Scioto and Lawrence),
“Seven Ranges,” “[‘Mad’] Anthony Wayne Country” and the “Virginia
Military District” (once claimed by Virginia!).
Goulder retired from writing her weekly column in 1969 at the age of 76. But she wasn’t done yet. John D. Rockefeller: The Cleveland Years (Western Reserve Historical Society, 1972) was, for many Clevelanders,
a revelation. Here, in vivid detail, was the never-before-told
story of the young oil tycoon and how he put together the innovative
and bold enterprise that became Standard Oil. Goulder dedicated the
book to the memory of her husband, who had worked as a messenger and
driver at Rockefeller’s Forest Hill estate while an undergraduate.
But
the book that was surely her favorite was the one that was published
the year after Grace Goulder Izant’s death in 1984 at the age of 91.
Indeed, it is hard to imagine a more fascinating account of a single
village than Hudson’s Heritage: A Chronicle of the Founding and the Flowering of the Village of Hudson, Ohio
(Kent State University Press, 1985). Here, in the form of what
one reviewer called “delightfully written biographical vignettes,” is
the surprisingly rich and compelling “back-story” of the village where
Goulder had spent 60 years walking the very paths trod by John Brown of
Harper’s Ferry fame; Western Reserve College religion faculty member
Beriah Green, whose fiery sermons on the hot-button “Slavery Question”
of the 1830s led to fist fights in the streets and board resignations;
and chemistry professor Edward A. Morley, who, with his partner, Case
physicist Albert Michelson, gained international fame in 1887 with a
daring experiment involving the speed of light, the motion of the
earth and the atomic weight of oxygen that would provide important
support for Einstein’s later special theory of relativity.
In
this, her final book—and the one he believed “lay closest to her
heart,” wrote Ohio historian Phillip R. Shriver—Goulder “lifts the story
beyond the limitations of local history and makes it illuminate an
entire region and time.” She couldn’t have wished for a better
epitaph.
—Dennis Dooley
John D. Arrives in the Big City
[The]
Cleveland of 1853 was a city of wonderment. At the lakefront, ships
with white sails ballooning in the wind headed gracefully for harbor to
discharge cargo and passengers. Side-wheelers and screw propellers,
numerous now, churned the waves on like missions. Both were creations
of flourishing local shipyards. The canal had its patient mules that
plodded along the towpath pulling snub-nosed barrages laden with freight. . . . Sturdy ships brought iron ore from recently discovered
mines in the Lake Superior region. Coal from Pennsylvania and West
Virginia was coming in on the new railroad lines. . . .
Three daily newspapers circulated: the Plain Dealer, Herald, and the Daily True Democrat, shortly renamed the Leader. A weekly, The Aliened American,
the city’s first Negro newspaper, began publication that year. It was
edited by William Howard Day, who had earned A.B. and M.A. degrees at
Oberlin College . . . .
In November of 1853, P.T. Barnum’s New York company presented Uncle Tom’s Cabin at the Atheneum Theater in the Kelley’s Block. Harriet Beecher Stowe’s
sensational novel had appeared in book form only the year before with a
popular edition “for the Western trade” published simultaneously by
Jewett, Proctor and Worthington at 138 Superior Street. The play was
also a success. Twelve thousand Clevelanders paid the fifty cents
admission fee (half price for rear seats) during a fifteen-night run.
Tempted though they might have been by the lurid advertising
broadsides, we can safely assume that John and William Rockefeller did
not see the performance; their mother had taught them that attending
the theater was sinful and a wicked waste of money. . . .
Cleveland
was aglow at night with the new gas lamps installed by the Cleveland
Gas Light and Coke Company. Officials promised one hundred more would
be set up soon to light Euclid Street as far out as Erie Street. Gas
was piped into many public buildings where signs warned the unwary:
“Please don’t blow out the lights.”
Candles
were still used in most houses. “Burning fluids” like whale and sperm
oil or lard oil gave better light, but were higher-priced and far from
satisfactory. While local manufacturers were turning out such products,
experiments were going forward in their plants for something better in
lighting. Many of these firms would rush into petroleum refining when
that revolutionary industry entered the field.
Mrs.
Woodlin evidently required her lodgers to furnish their own light, for
John D. Rockefeller’s account book showed regular purchases of
"burning fluid.” He would have to be content with this illuminant a few
years longer. —John D. Rockefeller: The Cleveland Years (Western Reserve Historical Society, 1972) |
The Road to Harper’s Ferry
[Dianthe’s]
brother Milton was devoted to his sister and called her his “guardian
angel.” She sang beautifully, he thought, mostly hymns which he liked
to listen to. There was a place in the woods he knew about where she
went alone to pray. He described her as “pleasant and cheerful but
plain,” and declared, “She never said anything but what she meant. At
home she was always ready to help and was a good cook.” . . .No
likeness of Dianthe exists, but John, referring to her years later,
called her “remarkably plain”—again this description of her—but “. . .
an economical girl of good common sense.”
There
would have been no midnight trysts on the hill for the couple and it is
difficult to imagine a kiss escaping from John [Brown]’s implacable,
thin lips. “Prompted,” however, “by my father and my own inclination,”
he wrote years later, he married her when he was twenty and she a year
younger, the local minister, the Reverend William Hanford, conducting
the nuptials, probably in Hudson’s new Congregational Church that was
dedicated that year. . . .Dianthe’s brother Milton, who hated John,
refused to attend the ceremony. He never forgot how John had turned
away abruptly when he walked up the hill to call on his sister one
Sunday. The boy at sixteen had been apprenticed to David Hudson and
Sunday was the only free day he had. John, however, with Calvinistic
righteousness, countenanced no visiting on the Lord’s Day. Dianthe
seems to have accepted her husband’s stern dictates: indeed few
individuals dared to cross his stern commands.
Influenced
by his father’s concern for the blacks, John welcomed runaway slaves
who by some secret alchemy knew his farm was a safe stopover. Wakened
in the night by a furtive knock on the cabin door, Dianthe would leave
her bed to prepare food for the trembling visitors, she or John taking
the meal to a hideout beside a big rock in the woods. On such errands
she was as terrified in the inky darkness as the Negroes.
—Hudson’s Heritage (Kent State University Press, 1985) |
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