Eric Coble, Playwright 2007 Emerging Artist Winner in Literature
Coble’s play Bright Ideas, described as a “Macbeth-in-preschool comedy,” received the National Theater Conference Playwriting Award and was produced Off-Broadway in 2002. It has gone on to many more productions around the country. Other works have been produced by theater companies, including the Manhattan Class Company, Kennedy Center, Circle in the Square, and Playwrights Horizons (New York); Cleveland’s Great Lakes Theater Festival, Cleveland Play House, Dobama Theatre and Cleveland Public Theatre; the Alabama Shakespeare Festival, Laguna Playhouse (California), Actors Theatre of Louisville, Actors Theater (Charlotte, North Carolina), Alliance Theater (Atlanta), Stages Repertory (Houston), Contemporary American Theater Festival (West Virginia), American Stage, (Florida), Penobscot Theatre (Maine), Ensemble Theatre (Texas), Hope Summer Repertory (Michigan), Pegasus Theatre (Texas), Creede Repertory Theatre (Creede, Colorado), Curious Theater Company (Denver), Actor's Playhouse of Miami, Red Orchid (Illinois), Beat Kitchen (Illinois), Flight Theatre (California); at several universities; and in theaters on three other continents. Coble, who lives in Cleveland Heights with his wife and children, was born in Edinburgh, Scotland, and grew up on Navajo and Ute reservations in New Mexico and Colorado. He came to Cleveland in the early 1990s for a two-year internship at the Cleveland Play House as an Acting intern, and then became an actor/teacher at Great Lakes Theater Festival. For several years, he has been a member of the Playwrights' Unit, a component of the Cleveland Play House’s New Play Development Program, along with a small number of the area’s other top playwrights. Coble is also a staff writer for Footlight Parade, a radio program broadcast weekly on classical stations around the country, and an occasional contributor to NPR. He was a featured writer in the 1999 Southern Writers' Project, and has been a finalist in the O'Neill National Playwrights Conference and the Y.E.S. Festival. His awards include the AT&T Onstage Award, National Theatre Conference Playwriting Award, an NEA Playwright in Residence Grant, two TCG Extended Collaboration Grants, Aristophanes Award for Best Off-Broadway Comedy, First Place in the Southwest Festival of New Plays, Heideman Finalist for Actors Theatre Louisville, Best of the CATCO Shorts Festival, and an Ohio Arts Council Grant. Among his better-known works, Isolated Incidents, Sound Biting and Virtual Devotion are examples of his slightly futuristic social satires, while Under the Flesh: The Final Descent of Edgar Allan Poe and truth: The Testimonial of Sojourner Truth, showcase his biographical works. His children’s play Pinocchio 3.5 is a very current update of the children’s classic. And while a good number of Coble’s works are children’s plays, often adapted from books and other sources, the rest are original – ideas that come from a vivid, and sometimes prescient, imagination. Many of the dark concepts from his plays about the future have already come true – all the more reason to pay attention to his work. |
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Cleveland Arts Prize
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